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He even tries to say something to Xiao Wu in Korean, only the viewer doesn’t get any translation of what he says, just to emphasise the impenetrable wall between the two.
Leading a lonely existence in an adolescent world disconnected from the rest of the society, Xiao Wu is a typical product of surroundings which have little time to spare for one another.
Just like a warmth-seeking missile, he never seizes to direct his attention towards him – he smells his chopsticks to find out what he had for dinner, he takes a photo of both of them together while Jung is asleep and even secretly cuts one of his pubic hairs – all to be entered into his journal which is entirely dedicated to documenting Xiao Wu’s observations of the tenant.
Occasionally, he tries to get under Jung’s skin by putting on his boxer shorts and mimicking his daily routines, including shaving.
The data help to better understand the geodynamic evolution of the Azov Massif and the adjacent intra-cratonic rift basin (Dniepr-Donets Basin) as follows: ZFT data reveal that the Precambrian crystalline basement of the Azov Massif was heated to temperatures close to ˜ 240 °C during the Late Palaeozoic. We propose that this correction should only be applied to samples with a fast cooling history, whereas it should not be applied to slowly cooled samples and to samples whose thermal history is not constrained by other means.This aspect doesn’t apply to children only – humans learn throughout their lives, adapting to new places, new technologies, new people. The other main function of any social interaction is just that – social.Humans are also flock creatures who define themselves by their position in relation to the other humans surrounding them and whose mental stability depends on these relations.His own mind is grief-stricken by the loss of his girlfriend and he chooses to ignore even the boy’s unimpeded attempts at provoking a reaction from him.In a rare moment of actual interaction between the two one night on the stairs, the only thing Jung can think of is to offer the 11-year-old a cigarette while tears are welling up in his eyes.
The film’s central characters are Xiao Wu, an 11-year-old Chinese latchkey boy left to fend for himself after school while his mother is away on never-ending business trips and Jung, their thirty-something suicidal wreck of a tenant from Korea.